Grevy's Zebra by artists Gillie and Marc

CLICK HERE TO DONATE DIRECTLY TO WWF > 

NAME
Adimu

TITLE
Love The Grevy's Zebra

GENDER
Female

AGE
8

FOUND
Kenya and Ethiopia

CONSERVATION STATUS
Endangered

This zebra is 8 years old and has loved making her home on the beautiful grasslands of Ethiopia. Even though she may look similar to everyone in her herd, she knows she is special and unique. Even so, the humans that she shares her beloved home with don’t seem to see her the same way. They are constantly taking more of her land to give to their livestock and even come out with guns! She knows her family is dropping in numbers and hopes that she can find support to save her herd.

With stipes as unique as our fingerprints, the zebra is an iconic member of African wildlife. Grevy’s zebra is the largest and most endangered and is more closely related to the wild ass than the horse, the more common plains zebras’ cousins. Its name comes from the president of France, Jules Grevy who was given a zebra as a gift by the emperor of Abyssinia (modern-day Ethiopia) in 1882. When a French zoologist met the gifted creature, he named it in honour of his president.  

Zebras only give birth to one foal at a time and these babies are born with the ability to walk nearly immediately. This is very important because they are very at risk of predators and since they don’t hide they need to be able to run. New mothers keep their young separate for the first few days of their foals life so that they don’t imprint on any other mare. The foals must learn their mother's pattern, vocalisations, and scent and in the first few days of their life, they will follow anyone. Once the foal has imprinted, she will sometime leave her foal in a ‘kindergarten’ while she goes in search of water. These are groups of foals protected by an adult, often a territorial male, and a mare. Normally the foal will follow his mother wherever she goes, learning what to eat and the migratory routes of the herd following the seasons. 

Grevy’s zebra is a very important part of the ecosystem on the dry, semi-arid scrub and grasslands they call home. Grazing with many other creatures such as antelope and wildebeest, the zebra helps them all out by taking off the hard, dry ends of the grass that the other grazers can’t digest. The zebra is well adapted to this environment. Unlike the plains zebra who needs lots of water, Grevy’s can go 5 days without any at all!

Grevy’s zebra has seen one of the biggest declines in their environment than any other African animal. With more and more land being converted to grazing pastures for livestock, the zebra has to compete for both food and water. Because of this, the survival rate of young zebras is very low. In the past 30 years, the population has dropped approximately 54%. In Ethiopia, the main threat is hunting, primarily for their skins but also for their meat and use in medicines.

HOW TO HELP 
Based off real animals that Gillie and Marc met while travelling, the public will be able to meet individual animals. 

With public art, more people will come into contact with these sculptures, will stop and consider them, will take a photograph, and will discuss this with their friends and family. Through this increased exposure, the message of love, family, and conservation will be spread much further than any piece of art in a gallery ever could. It will bring people into close contact and will help them to fall in love. With love comes a greater urge to want to create a change and save all endangered animals. 

​The sculpture will be aligned with the hashtag #LoveTheLast to raise unparalleled awareness about the sculpture’s cause across the globe.

To help protect these animals, please donate to the WWF: https://www.wwf.sg/ 

PARTNER


WWF is one of the world’s largest and most respected independent conservation organisations. WWF’s mission is to stop the degradation of the earth’s natural environment and to build a future in which humans live in harmony with nature. As one of WWF’s international hubs, WWF-Singapore supports a global network spanning over 100 countries. We work to meet key conservation goals, such as deforestation, haze pollution, food security, sustainable finance, sustainable consumption and illegal wildlife trade.

For more information, visit https://www.wwf.sg

 

ABOUT GILLIE AND MARC
Gillie and Marc’s highly coveted public artworks can be found worldwide including in New York, London, Singapore, Shanghai, and Sydney. They are Archibald Prize finalists, won the Chianciano Biennale in Italy, took out the Allens People’s Choice Award in 2016 and 2018 and Kids’ Choice Award in the 2016 Sculpture by the Sea and received the Bayside Arts Festival People's Choice Award in 2019 in Sydney.

The husband-and-wife duo are on a mission to make art for a better tomorrow. They are best known for their beloved characters, Rabbitwoman and Dogman, who tell the autobiographical tale of two opposites coming together as best friends and soul mates.

Gillie and Marc are also passionate eco-warriors and have dedicated their lives to protecting nature.

Gillie grew up with the wildlife in Zambia and Marc studied chimpanzees in Tanzania as a young man. Over time, the artists developed a deep appreciation for all living things and a desire to preserve the magnificence of the natural world. 

Through their art, Gillie and Marc aim to transform passive audiences into passionate advocates for animal conservation. Their mission is to use their work as a platform to continue spreading awareness about endangerment, which will ultimately lead to change and save species from extinction.

Their art has raised hundreds of thousands in donations for the many wildlife charities and causes they support through their project Love The Last.

Please follow @gillieandmarcart 

If you are interested in buying art related to the Loved the Last March, you will also be directly helping real animals in the wild, with 30% of sales going to WWF to continue their fantastic work for animal conservation. Click here to browse art > https://gillieandmarc.com/collections/love-the-last-march

 

SOURCES